A small minority of people - Super-Taskers - seem able to multitask without showing the usual loss in performance. And clones.Work Smarter: Why You Should Add a ‘Done List’ to Your To-Do ListĪpparently, though, this isn’t a universal rule. Or can they? “Now I get offers to do twin sisters and multiples. “No one can pigeonhole me now,” she declares. “I’m so up for more characters,” says Maslany, for whom “Orphan Black” is a growing demo reel of her remarkable range. This is a bizarre, supertechnical process that you have to bring breath and life to.”Īnd now, as she awaits the start of filming season four, her feeling is: the more the merrier.
Improv helps me access my imagination and pretend that there’s another person there. “But I need the improv stuff, too,” she adds, “or else those scenes wouldn’t feel alive or real. “Having to be precise and systematic as a dancer really helps me with the technical side of things” - particularly ministering to the Technodolly, a device that repeats a camera’s movement as it shoots a scene multiple times, allowing Maslany to appear in each take as a different character who often has to play against herself.
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Maslany, who began acting as a child in community theater in her hometown of Regina, Saskatchewan, has a long list of credits in Canadian TV and in films including “The Vow,” “Picture Day” and the current feature “Woman in Gold,” playing a young version of the character played by its star, Helen Mirren.īut she cites her early experiences as a dancer, then as a member of an improv troupe, as invaluable training for “Orphan Black.” “To have me as a default, and then change me up in so many different ways, is a real challenge for them, and exciting,” she says. She also points out the achievements of her colleagues in wardrobe, lighting and hair and makeup. While Maslany savors serving up her smorgasbord of characters, she takes pains to praise her fellow cast members - who include Kristian Bruun, Jordan Gavaris, Kevin Hanchard and Maria Doyle Kennedy - “for their amazing character work.” This is all still very relevant to women - and to men, too.” It’s about gender stereotypes, which we explore and bust open. It’s about autonomy, and the lack of it about ownership of your body and image. “This doesn’t change the fabric of the show, it reinforces the story we’re already telling. Do people think the female clones will instantly become the men’s girlfriends and just cook for them? “That’s so funny,” she says, “as if feminism can be explored only if women are in positions of power. She laughs at the notion voiced by some disgruntled fans that introducing male clones somehow threatens the series’ supposedly feminist agenda - and even upstages Maslany’s bravura display. They all are played by Ari Millen, whom Maslany describes as “super-trained and super-awesome.” A new cloning initiative named Project Castor has loosed a gang of male clones on the world. “It’s so stimulating, to switch up characters twice a day, and jump into each role without fear or embarrassment.”īesides Sarah, who serves as the clones’ de facto leader, they include Alison, the soccer mom Helena, a maniacal Ukrainian Cosima, a brilliant scientist, and more.īut this season, Maslany’s clone posse has been met with an opposing team. “This show is an incredible training ground for an actor in terms of sparking my imagination and keeping me present,” she says.
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